She leaves behind the two people who loved her most — Billy, her partner, and Cat, her best friend — and a year to get through without her.

So they get through it together. The wake that won't end. The row in the IKEA car park. A whole life to be sorted, boxed and given away, with neither of them ready to begin. They bicker. They keep each other upright. They compete, quietly, over who is allowed to miss her more.

Grief, it turns out, doesn't behave. And the year takes the two of them somewhere neither saw coming.

If I Sing Loud Enough is Lorien Haynes' comedy about the part of loss no one warns you about — sharp, funny, brutal and quintessentially British. Adapted from her play Good Grief.

For one night, Daisy Bevan and Lorien Haynes perform it live on stage — a staged reading, script in hand, in the room. Not a screening and not a broadcast: the play, out loud, fifty-five seats deep.

Two people. One impossible year.
And a question, shouted into the ether — if I sing loud enough… she'll come back.